Fairy godmother tycoon mooving violence2/21/2023 ![]() ![]() ![]() What they wish for is De Sica’s and Zavattini’s most scathing rebuke to humanity’s insatiable materialism, done with a wink towards the lower classes so generously honored in the pair’s previous collaborations.Īlthough it may seem perverse to include on my list a sweetly satiric take off on The Bicycle Thief but not the genuine article itself, I hope I can adequately defend Maurizio Nichetti’s one-of-a-kind comedy. From there, two miracles occur: drilling for water actually uncovers oil, bringing in a tycoon and his business muscle and Totò’s ghostly fairy godmother delivers him a white dove with the power to grant the wishes of the poor folk. Now eighteen and on his own, he eventually makes his way to a town of squatters near Milan and helps them set up a community. Francesco Golisano is the optimistic all-around good guy Totò, raised by a virtuous old woman who found him in her cabbage patch and becomes the ward of an orphanage upon her death. Once Upon a Time in the West (1968)Īn unruly comic fable from neorealist pioneers Vittorio De Sica and Cesare Zavattini, Miracle in Milan revisits the milieus of their earlier Bicycle Thief and Shoeshine but instead played up the greed and gluttony possible from both the capitalist and the downtrodden. The Gospel According to Matthew (1964) 6. This week’s Top Ten Tuesday celebrates our Top Ten Italian Films!ġ. Like any national cinema, it has its peaks and valleys, but Italian films still make dents on the international scene, although not with the force or frequency of its heyday in the middle of the 20th century. The story of Italian cinema conjures worlds of pictorial beauty, emotionalism (whether heightened or repressed), a sometimes bitter engagement with history, and transformations of various genres into peculiarly Italian idioms. ![]() Next on our cinematic itinerary is Italy, home of Cinecittà, neorealism, spaghetti westerns, giallo, and sword-and-sandal epics. ![]()
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